Batik Dermayon: Expression of Femininity in North Coast of Java
Keywords:
Dermayon batik , Semiotics, Javanese women , Culture and meaning , Crafter woman, Indonesian culture , Expression of femininityAbstract
To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.
References
Blackburn, S. (2007). Kongres Perempuan Pertama: Tinjauan Ulang (1st ed.). Yayasan Obor Indonesia & KITLV-Jakarta.
Brenner, J., & Igamberdiev, A. (2021). Philosophy in Reality as Process (pp. 335–370). https://doi.org/10.1007/978-3-030-62757-7_15
Cascio, M. A., Grond, F., Motta-Ochoa, R., Tembeck, T., Veen, D. ten, & Blain-Moraes, S. (2020). Working Together- Ethnographic Observations on Participatory Design Involving Adults with Autism. Human Organization, 79(1), 1–12. https://doi.org/10.17730/0018-7259.79.1.1
Chandler, D. (2007). Semiotics the Basics (2nd ed.). Routledge. https://doi.org/10.1016/S0378-2166(02)00176-5
Chicago, J., & Lucie-Smith, E. (2000). Women and Art: Contested Territory. Watson-Guptill.
Cohen, M. I. (2001). Reading for performance: A Cirebonese romance as a narrative model for wayang. Reading Asia: New Research in Asian Studies. https://books.google.com/books?hl=en&lr=&id=C-PTr5Q8MoIC&oi=fnd&pg=PA197&dq=batik+ciwaringin&ots=Ci_Pe-d1eD&sig=30mBVWSE-vu7kuRfnp5nB7W8jjA
Darmaprawira, S. (2002). Warna: Teori dan Kreativitas Penggunaannya. Penerbit ITB.
Dekranasda. (2007). Batik Indramayu. Dewan Kerajinan Nasional Daerah Kabupaten Indramayu.
Emery, J. (2011). Art Is Inoculation: The Infectious Imagination of Leo Tolstoy. The Russian Review, 70(4), 627–645. https://doi.org/10.1111/j.1467-9434.2011.00632.x
Fadlia, A., Alkatiri, Z., & Sunarti, L. (2020). Traces of Batik Rifa’iyah and the Women. KnE Social Sciences. http://3.65.204.3/index.php/KnE-Social/article/view/7599
Fakih, M. (2008). Analisis Gender dan Transformasi Sosial. Insist Press.
Fontana, D. (1994). The Secret Language of Symbols: A Visual Key to Symbols and Their Meanings. Chronicle Books.
Frownfelter, A. (2010). Flower Symbolism as Female Sexual Metaphor. https://commons.emich.edu/honors
Gustami, S. P. (2007). Butir-butir Mutiara Estetika Timur, Ide Dasar Penciptaan Seni Kriya Indonesia. Prasista.
Gusti, M., & Fitriani, E. (2021). Partisipasi Perempuan dalam Pengembangan Wisata “ Desa Terindah ” Nagari Pariangan. Culture & Society: Journal of Anthropological Research, 3(1), 1–13. https://doi.org/https://doi.org/10.24036/csjar.v3i1.85
Hammer, B., Fletcher, F., & Hibbert, A. (2017). Participant observation: Enhancing the impact measurement in community based participatory research. Qualitative Report, 22(2), 439–455. https://doi.org/10.46743/2160-3715/2017.2553
Hartoko, D. (1993). Manusia dan Seni. Kanisius.
Hernowo, J. B., Mardiastuti, A., Alikodra, H. S., & Kusmana, C. (2011). Behavior Ecology of the Javan Green Peafowl (Pavo muticus muticus Linnaeus 1758) in Baluran and Alas Purwo National Park, East Java. HAYATI Journal of Biosciences, 18(4), 164–176. https://doi.org/10.4308/HJB.18.4.164
Jackson, B. (1999). Art, Culture, and The Semiotic of Meanings. Palgrave Macmillan.
Kartomi, M. (2011). On the history of the musical arts in Southeast Asia. The Cambridge History of World Music, May, 416–440. https://doi.org/10.1017/CHO9781139029476.024
Kasim, S. (2013). Budaya Dermayu: Nilai-Nilai Estetis, dan Transendental. Poestakadjati & Framepublishing.
Kim, S.-Y. (2013). Tradition and Transformation of Batik in Indonesia. Journal of the Korean Society of Clothing and Textiles, 37(5), 676–690. https://doi.org/10.5850/jksct.2013.37.5.676
Kishore, N., Paul, S., And, G., & Maurya, S. (2013). Adaptation of Monumental Motifs for Textile Application. Asian Journal of Home Science, 8(2), 726–730.
Krisnawati, E., Sunarni, N., Indrayani, L. M., Sofyan, A. N., & Nur, T. (2019). Identity Exhibition in Batik Motifs of Ebeg and Pataruman. SAGE Open, 9(2). https://doi.org/10.1177/2158244019846686
Kusnadi. (2001). “Pangamba” Kaum Perempuan Fenomenal: Pelopor dan Penggerak Perekonomian Masyarakat Nelayan. Humaniora Utama Press.
Kusrianto, A. (2021). MOTIF BATIK KLASIK LEGENDARIS DAN TURUNANNYA. books.google.com. https://books.google.com/books?hl=en&lr=&id=2pxNEAAAQBAJ&oi=fnd&pg=PR1&dq=batik+cirebon&ots=uLxKq-rmWk&sig=-QPPPmTzLNcq0HaPM89rfxmy5zw
Kusumasari, D. (2013). Business Preservation of Batik Indonesia (Heritage), Challenges and The Solution. Jurnal Ilmu Manajemen & Ekonomika, 12(1), 9–14. https://doi.org/http://dx.doi.org/10.35384/jime.v12i1.151
Mawaddah, H., Suyitno, S., & Suhita, R. (2021). Javanese Women’s Efforts to Face Patriarchal Culture in the Novel Para Priyayi by Umar Kayam. International Journal of Multicultural and Multireligious Understanding, 8(1), 100. https://doi.org/10.18415/ijmmu.v8i1.2267
Miles, M. B., & Huberman, A. M. (1994). Qualitative Data Analysis (2nd ed.). SAGE Publications Inc.
Moiseeva, A. v. (2020). Prophet Sulaymān in Classical Persian Poetry: Semantics and Structure of the Image. Vestnik Sankt-Peterburgskogo Universiteta Vostokovedenie i Afrikanistika, 12(3), 398–414. https://doi.org/10.21638/spbu13.2020.306
Nursito, & Faeni, D. (2019). Influence of motivation, internal control structure and women economic empowerment on poverty reduction implication on improvement of productivity. International Journal of Recent Technology and Engineering, 8(2 Special Issue), 785–789. https://doi.org/10.35940/ijrte.B1158.0782S419
Piliang, Y. A. (2003). Hipersemiotika: Tafsir Cultural Studies Atas Matinya Makna. Jalasutra.
Prabasmoro, A. P. (2007). Kajian Budaya Feminis. Jalasutra.
Putra, A. T., Listiani, W., & Rustiyanti, S. (2021). Estetika Morfologi Motif Batik Kluwung Indramayu. ATRAT: Jurnal Seni Rupa.
Ratuannisa, T., Santosa, I., Kahdar, K., & Syarief, A. (2020). Shifting of Batik Clothing Style as Response to Fashion Trends in Indonesia. MUDRA Jurnal Seni Budaya, 35(2), 133–138. https://doi.org/https://doi.org/10.31091/mudra.v35i2.1044
Rohidi, T. R. (2011). Metodologi Penelitian Seni. Cipta Prima Nusantara.
Sekepe, D. (2020). The depiction of cosmic images of the sun, moon and stars in selected Setswana novels. South African Journal of African Languages, 40(3), 308–316. https://doi.org/10.1080/02572117.2020.1855724
Selamet, J. (2018). Indonesian batik translation: A case study. International Journal of Visual Design, 12(3), 11–17. https://doi.org/10.18848/2325-1581/CGP/v12i03/11-17
Shihab, M. Q. (2009). Perempuan. Lentera Hati.
Siegelman, B., Haenn, N., & Basurto, X. (2019). “Lies build trust”: Social capital, masculinity, and community-based resource management in a Mexican fishery. World Development 123, 104601. https://doi.org/10.1016/j.worlddev.2019.05.031
Sprague, K. (2005). Permission to interact: A who, how and why of sociodrama. In M. Karp, P. Holmes, & K. B. Tauvon (Eds.), The Handbook of Psychodrama (pp. 253–267). Routledge.
Sugiarto, E., & Lestari, W. (2020). The Collaboration of Visual Property and Semarangan Dance: A Case Study of Student Creativity in “Generation Z.” International Journal of Innovation, Creativity and Change, 10(12), 100–110.
Susanti, E. (2019). Marginalization and Subordination of Women Workers at The Home-Based Batik Industry in East Java. Opcion, 35(22), 2899–2921.
Syamwil, R., Sugiarto, E., Rohidi, T. R., & Nurrohmah, S. (2019). Weeds As A Source of Decelopment Idea on Batik Motive. Vlakna a Textil (Fibres Textiles), 26(2), 69–73.
Thohir, M. (1999). Wacana Masyarakat dan Kebudayaan Jawa Pesisiran. Yayasan Bendera.
Toekio, S. (1987). Mengenal Ragam Hias Indonesia. Angkasa.
Tong, P. (2008). Feminist Thought. Jalasutra.
Tresnasih, R. I., & dkk. (1995). Rona-rona Batik Dermayon. Balai Kajian Sejarah dan Nilai Tradisional, Depdikbud.
Triyanto, T., Mujiyono, M., & Sugiarto, E. (2017). Aesthetic Adaptation as a Culture Strategy in Preserving the Local Creative Potentials. KOMUNITAS: International Journal of Indonesian Society and Culture, 9(2), 255–266. https://doi.org/10.15294/komunitas.v9i2.9522
Wolor, C. W., Suhud, U., Nurkhin, A., & Citriadin, Y. (2021). The Role of Human Resources in Strengthening The Creative Industry During The Covid-19 Pandemic. Quality - Access to Success, 22(184), 34–39. https://doi.org/10.47750/qas/22.184.04
Yin, F., Shi, J., & Ma, X. (2020). Research on the evolution of traditional fish pattern and its application in modern design. E3S Web of Conferences 179, 1–4. https://doi.org/10.1051/e3sconf/202017902122
Yin, R. K. (2009). Case Study Research: Design and Methods (4th ed.). SAGE Publications Inc.
Yudoseputro, W. (1993). Pengantar Wawasan Seni Budaya. Depdikbud.
Published
Issue
Section
License
All articles are published under an Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. Authors retain copyright over their work.
