From formal analysis to artistic practice
The perception of the image and the form in the creative process
Keywords:
Analysis, Image, Form, Two-dimensional, Tree-dimensional, Artistic expression, Visual comunicationAbstract
Approach to the formal analysis of the image, from a perceptive and organizational point of view in the personal artistic process of the students who take the subject of Image and Form Analysis at the University of Zaragoza. Through the History of the Image, it is committed to practical studies that enable the understanding of the fundamentals of visual communication, from its aesthetic perspective, through the conscious appreciation of images and forms. Students open their minds to new perspectives, questions and other lines of research from various areas: cultural, social and artistic.
References
Arnheim, R. (1986). El pensamiento visual. Ed. Paidós ibérica. https://cutt.ly/iL9XQj5
Arnheim, R. (1997). Arte y percepción visual. Ed. Alianza.
Aumont, J. (2001). La estética hoy. Ed. Cátedra Signo e imagen. https://cutt.ly/YL9X0EK
Dondis, D. A. (2006). La sintaxis de la imagen. Introducción al alfabeto visual. Ed. Editorial Gustavo Gili.
Gombrich, E. H. (1987). La imagen y el ojo. Ed. Alianza Editorial. https://cutt.ly/FL9X7AD
Gombrich, E. H. (1999). El uso de las imágenes. Estudios sobre la función social del arte y la comunicación visual. Ed. Phaidon. https://cutt.ly/EL9CyQ4
Gómez Alonso, R. (2001). Análisis de la imagen. Estética audiovisual. Ed. Ediciones del Laberinto. https://cutt.ly/CL9Cdt6
Kandinsky, W. (1989). De lo espiritual en el arte. Ed. Premia editorial.
Panofsky, E. (2008). Estudios sobre iconología. Ed. Alianza Universidad.
Downloads
Published
Issue
Section
License
All articles are published under an Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. Authors retain copyright over their work.
